This chapter examines the relation between image and spectator. Drawing on Gilles Deleuze and Felix Guattari's writings on art, capitalism, and ethics, it explores the extent to which heroin-chic images might be understood as productive of bodily transformations in order to re-read drug-referenced advertising and explore its ethico-aesthetic capacities. The findings reveal that although heroin-chic images do indeed contain an ethico-aesthetic potential, this capacity is severely curtailed by cliché and capitalism.