The Twich Women’s Sewing Collective is a Victorian-based social enterprise that uses art and fashion to engage with, challenge and transform mainstream representations of Sudanese Australian communities. A key feature of how they do this is through the occupation of public spaces. In this essay, I argue that Twich’s engagement with diverse publics through both trade and cultural activity has an important political dimension, prioritising self-representation over being represented, and thereby challenging dominant (hegemonic) structures of power.
History
Related Materials
1.
ISBN - Is published in 9781922633170 (urn:isbn:9781922633170)