Static is often used in electronic art to symbolise a metaphysical outside that is only perceivable with technology. A significant recent example is David Hall's 1001 TV Sets (End Piece). In this paper I will explore the static as outside trope using numerous examples, with a focus on Hall's work. I will show that the trope demonstrates how static can be meaningful and so functions as more than merely interference.
History
Start page
1
End page
3
Total pages
3
Outlet
The Proceedings of the 19th International Symposium of Electronic Art, ISEA2013, Sydney.
Editors
Kathy Cleland, Laura Fisher and Ross Harley
Name of conference
ISEA2013
Publisher
ISEA International, the Australian Network for Art and Technology and the University of Sydney