This paper reflects upon a single object of analysis: a book of architectural quotations, whilst also reflecting on the nature of the scholarly voice. A critical approach to a book in this genre might argue that it traces a self-reinforcing cycle: of architects’ willingness to opine, and publishing companies’ willingness to (literally) capitalize on that. Drawing on established mythological constructions of the architect as famed/genius/guru, the collection also works, it could be argued, to shore up and maintain such a persona. This paper critically reflects on such ideas, but also identifies a crucial moment when the conceit of the book seems to come undone: when it mis-quotes Norman Foster, who is reported to have argued for more emphasis in architecture schools on ‘the mating of a building.’ Such a malapropism seems to undermine the hagiographic edifice of the architect as genius author figure, and the very purpose of such a book of ‘inspirational’ quotations. But while the paper begins from such a critical premise, it also traces a shift in its own critical position. It moves from a position of suspicion at the book’s apparent reinforcement of the mythic qualities of architectural authorship, to a more nuanced response to a text regarded anew: as a diverse, multivocal, and even kaleidoscopic account of architectural discipline and practice.
History
Start page
699
End page
709
Total pages
11
Outlet
Proceedings of the 34th Annual Conference of the Society of Architectural Historians, Australia and New Zealand. QUOTATION: What does history have in store for architecture today? {SAHANZ 2017)
Editors
Gevork Hartoonian and John Ting
Name of conference
SAHANZ 2017
Publisher
Society of Architectural Historians, Australia and New Zealand (SAHANZ),