Recent examples in the design of embodied and movement based interfaces have benefited from the use
of reflection in action cycles that have their genesis within established forms of design practice such as
Architecture and Industrial Design. What both of these established disciplines share are the use of sketches and
models that form artefacts supporting arguments for a particular approach to the design problem. These are
established and understood means for reflection and iteration. Designers of embodied and movement based
interfaces have begun to apply this reflection in action approach, however the static representations used in
Architecture and Industrial design are not sufficient to account for the temporal and experiential concerns of
Interaction design and Human Computer Interaction. So the challenge, and the position of this paper, is to open a discussion on what means and tools enable a reflection on the experiential and technological challenges within Interaction Design. This paper gives an account of a recently commissioned interface prototype, the Musical Staircase, which has moved through its first design cycle of Problem Framing, Design Response and User Evaluation to encourage this discussion.
History
Related Materials
1.
ISBN - Is published in 9780975794852 (urn:isbn:9780975794852)
Start page
9
End page
12
Total pages
4
Outlet
The Body in Design: Proceedings of OZCHI 2011 Design, Culture and Interaction, The Australasian Computer Human Interaction Conference
Editors
Lian Loke, Toni Robertson
Name of conference
OZCHI 2011 Design, Culture and Interaction, The Australasian Computer Human Interaction Conference