Abstract
Architectural academic Robin Evans, reviewing Daniel Libeskind’s Micromega drawings in
1984, described the role of the critic: ‘it is the critics job to delve into, uncover, disclose, reveal,
divulge, discover, unfold and show to the reader what lies hidden or unseen … The critic is in
search of origins, essences, intentions motives, causes, for these are the things that lie behind
appearances…’
This paper will draw on the practice of Richard Black and Anna Johnson and asks what
happens when that generative space of architectural criticism co-joins with the act of design
itself. We speculate that design knowledge is made and held within both expressions of the
architectural discipline and that our practice – which operates reciprocally and interchangeably
between these modes – creates a unique platform from which to make significant engagement
and impact with the architectural profession, academy and general public. Our research project
- spanning over a decade - explores architectures engagement with context in projects that
work from rural and city landscapes and in the cultural and environmental context of climate
change and the need for continued and deeper engagement with Australia’s indigenous people.
These projects - including several books, built works, design studios, a grant, international
exhibitions, journals and an editorship role - aim to make transparent and disseminate design
knowledge to the general public, academics and architects and thus generate - at a national
scale - architectural advocacy and increase the public knowledge base of what architecture can
be and do. In doing so we have explored what cultures of place can be for architecture and
what the specific design strategies are. We seek to explore what for example, ‘landscape’ might
be for the contemporary practitioner and how much it exceeds the pragmatic and can also be
driven by issues, non-metric qualitative concerns.
Robin Evans describing the critic. AA Files no 6
History
Start page
238
End page
259
Total pages
22
Outlet
Proceedings of the 2nd Annual Design Research Conference 2019