posted on 2024-10-30, 17:13authored byPatrick Snelling
BACKGROUND AND SIGNIFICANCE
While the previous Tamworth Biennial's have always attracted interest from artists and designer/ makers
from other disciplines, there is approximately a 50/50 ratio of non-textile trained artists to textile trained.
This 1st Trieannial questions the role of a future textile art and design education in Australian
Universities, TAFE colleges and high schools. Are we in danger of losing the skills and traditions of
textile making or are we seeing another shift in the blurred role of creative practice ¿ how significant is
the textile discipline and how does it fit within the agenda of collaboration, cross-disciplinary practice and
research in Australia?
CONTRIBUTION
The curatorial rationale for the 1st Tamworth Textile Triennial (Sensorial Loop) is to showcase to a public
the changing ideas and professional craftsmanship associated with contemporary textile practice in
Australia.
The use of traditional and machine technologies, the inter-disciplinary profiles of practitioners, the trend
of sustainable practice are research topics that challenge the perception of the discipline of textiles.
There is blurring within the contemporary definition of creative practice and Sensorial Loop aims to
capture that shift in this touring exhibition.
As a curator in the discipline of textiles I am focused on promoting research in practice; in textile making,
and in the diversity of ideas that creative people bring to the textile discipline. The selected artists are
working with textiles in traditional and contemporary styles and they have capitalised on the temporal,
haptic, familial and cultural aspects of textiles as demonstrated in Sensorial Loop.