The Concentric Influences of Sol LeWitt: Core Artists (Part 1) Ten Countries | The Concentric Influences of Sol LeWitt: Foundations, Pivots and Place (Part 2) Ten Countries

<p dir="ltr">Research Background: The Concentric Influences of Sol LeWitt: Core Artists Exhibitions interrogates how the influence of one of the twentieth century’s most significant artists persists and transforms across global contexts. With support from the LeWitt family and international universities, the project frames curating as research—knowledge generated through staging, design, and activation rather than replication or biography. Lippard (1973/1997) identified conceptual art as privileging idea over material; Areford (2020, 2021) examined LeWitt’s systemic and serial methods and a “plural LeWitt.” This project tests those propositions through curatorial practice. </p><p dir="ltr">Research Question: How does LeWitt’s influence reconfigure when artists with direct or indirect ties are staged internationally, revealing influence as responsive, generative, and transnational? </p><p dir="ltr">Research Significance: Global in scope and depth, The Concentric Influences of Sol LeWitt (Part 1: Core Artists; Part 2: Foundations, Pivots and Place) repositions LeWitt’s conceptual legacy within a living, intercultural framework. Through exhibitions, catalogues, and symposia it delivers verifiable institutional outcomes and sustains the rigour of advanced practice-led research. Each iteration functions as both archive and experiment, expanding curating as a mode of critical inquiry and translation. It situates RMIT as an international nexus for conceptual art discourse and affirms curatorial practice as an evolving site of knowledge production.</p>