Affective slowness, the web films of Robert Croma

This article undertakes a reading of Croma's online videos, published via a blog, using a variety of theoretical frames. It uses Gilles Deleuze's (1986) "movement image" as a concept relevant to a specifically online and digital practice, with attention paid to the role of affect as an "interruption" within the cinema of the movement image to produce varying economies of the "slow". The implications and possibilities of this will be expanded upon, including a preliminary outline of how this work provides a template for an object orientated digital practice.