The recent public discussions about climate change have brought forward two key points of important discourse. The first is the resistance by climate change denialism to accept science as a means of fact-based validation into the effects of human interference within the natural world and the second is the debate on actions to reduce carbon emissions and global warming. This paper will explore the role of climate change denialism through my critical studio practice as a means of social commentary with discussion informed by the artefacts located in the series ‘Failed Design Experiments of Climate Change Denial Machines’ (2018) exhibited as part of the National Gallery of Victoria's Melbourne Design Week 2018 and ‘The Rise’ (2019).