Telling Tales: the absence of drama on Australian community television

Why is there virtually no drama on Australian community television? Within this sector of the Australian media, the potential of fictional screen narratives to powerfully and imaginatively explore human experience in relation to issues of cultural diversity, social equity and community change has been unrealised. Are the demands in time, money and effort of this form of production too great for predominantly non-professional and un-funded program creators and producers? In the digital era, the blurred media space between the professional and the amateur has been expanding and changing. In relation to film and television, this increasingly significant space is occupied by community television and a range of independent producers with alternative creative and cultural perspectives. This paper discusses the research I have been undertaking into the practical and creative possibilities and constraints of ¿no-budget¿ television drama production and the impact a lack of money has on the creative outcomes of a project. Drawing on the work of writers such as Bourdieu and Bakhtin, as well as filmmakers such as Alexander Kluge, my practice-based research has been investigating the production process for a no-budget television program, which has a particular focus on issues of social change and formal innovation.