From feline celebrities to viral videos, online cat pictures as a twenty-first century
populous digital genre have surmounted a vacantness from research interest insofar as
to represent an undervalued digital phenomenon which this paper seeks to investigate
from a digital philosophical perspective that defines the genre as to what Braden
terms as ‘the Internet and cat videos by extension became this sort of de facto, virtual
cat park.’ (Brooks, 2020) While there has been an evidential lack of interest into
online cat pictures as a serious mode of investigation within an academic context, the
discussions throughout will congeal three central themes that define first, that online
cat pictures are a significant internet genre; second, that online cat pictures are an
embodiment of kitsch as a social idiom; and thirdly, that design facilitates the impact
of this genre through an embeddedness of human fascination to the aesthetic
proliferation of feline habitual observation and mischief