The recent unpredictable explosion of artist residencies has produced a range of social forms over the last century: shifting from what can be described as a more traditional institutional model of patronage with artists laboring on material works in isolated studios - to contemporary forms of social practice projects working collectively or by making art with local communities to explore contemporary global concerns. This shift from the individual to the collaborative and the private to the public in residencies extends the 'social turn,' which now permeates the contemporary art world.