Making connections: the sculptural encounter as an embodied cognitive experience

This practice-led research project investigates the sculptural encounter as an embodied experience in which perception is active and involves sensory motor activity and cognition. The research is mediated through the moving body and employs strategies that use composite objects and altered situations related to play and physical activity, as well as environments with reduced illumination and restrictive architecture. It draws upon research in embodied and enactive perception and cognition, alongside an exploration of phenomenologically active sculptural and spatial practice since the 1960s. <br><br> The artworks created as part of this project are experiential and involve a range of sculptural practices, from traditional bronze casting to architectural interventions and performative participatory practices. The focus is on creating sculptural works developed from objects and concepts related to perception and cognition, which are informed by their connections to contemporary art practice. The research begins with an exploration of the neurocognitive effects of mirrors and kinaesthetic play, and ends with a more intimate, embodied focus on touch and proprioception related to empathy and affect. The sculptural encounter is located in both the intersubjective and social space of the gallery, and the more intimate space of the studio. The encounters include both the experience of the participants and the creation by the artist.<br><br> This research makes connections between art practice and theories of cognition and perception. It identifies how embodiment, kinaesthetic thinking, perceptual isolation and sensorimotor empathy underpin encounter. The artworks demonstrate how cognition is embodied and enacted by the audience and artist, and how cognition can be embedded into and potentially extend into sculptural work. By bringing together brain, body and environment through art practice, the research highlights how both the artist and audience can encounter sculpture with an expanded sensory awareness.<br><br>