posted on 2024-11-23, 18:46authored byPeter Holmes
This project researches a new spatial design paradigm for the process of creating unique, sonically derived geometric compositions. The research presents a proposal to diverge from the existing computational measurement and evaluation techniques for sonic design that, while appropriate for analysis of design outcome, do not encourage interactive, creative design to be undertaken with related disciplines. <br><br>Current sonic design practices for geometric form rely on the measurement of pre-existing spatial models. These models are typically derived from either an existing known architecture or a visually conceived concept for the creation of sonic space. The process of measurement and computational estimation is then used to prepare an auralisation that provides a simulation of the sonic experience of the space being designed. This positions the sonic comprehension of the design at the final stage of process and places greater emphasis on the computationally derived estimates of subjective experience for interdisciplinary communication. <br><br>The research considers the process and precedence of sonic design and proposes a parametric technique that provides a unique, interactive spatial design environment operating in a sonic context. The process is conceptualised in a sonic sketching paradigm of brush, palette and canvas that offers an intuitive interface to design professionals. The evolving conceptual design developed within the spatially realised sonic environment is translated into a visual context by geometric data. <br><br>The goal of this research is to investigate the process of creative sonic design to consider an experiential process that enables a more interactive, collaborative foundation for multidisciplinary conceptual development.